As a multidisciplinary artist I emphasize performativity in my works. The mediums I choose range from theatre, visual arts, installation, mixed reality (MR\/VR) and artistic research.<\/p>\n\n\n\n
My works often start with the fascination of a very simple element that I encounter – a feeling, an environmental detail or a simple shape and colour. I abstract that element to build the basis of an artistic concept. This concept I quickly put into space in playful manners to research how this element is relating to the space-that-is-there. While the results are often very entangled in a specific location, my goal is always to create a work that could be put anywhere – and as such, completely change the story it brings.<\/p>\n\n\n\n
As an artist specializing in scenography, time, space, and the spectator play crucial roles in my work. Whether I work with technology, completely analogue or pure imagination, the experience of an overal aesthetic atmosphere should be what drives an emotional experience of the artwork.<\/p>\n\n\n\n
Through my professional career I hope to bring more spatial and experiental poetry into the visual and performative fields of art. I strive to collaborate on this as much as possible, with people ofcourse, but also materials and spaces. During the making I put a lot of emphasis on the dramaturgy of my designs – how can I make it relate on a deeper level to the others’ – actors, architecture, stories – that are sharing the space?<\/p>\n\n\n\n
Next to my work as a practicing artist, I greatly enjoy academic adventures as well. As a freelancer, I’m always open to be contacted about work for education, tutoring or research.<\/p>\n\n\n\n
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As a multidisciplinary artist I emphasize performativity in my works. The mediums I choose range from theatre, visual arts, installation, mixed reality (MR\/VR) and artistic research. My works often start with the fascination of a very simple element that I encounter – a feeling, an environmental detail or a simple shape and colour. I abstract […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8"}],"version-history":[{"count":5,"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":230,"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions\/230"}],"wp:attachment":[{"href":"https:\/\/robinkrijgsman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}